This collection of essays reveals the Ming court as an arena of competition and negotiation, where a large cast of actors pursued individual and corporate ends, personal agency shaped protocol and style, and diverse people, goods, and tastes converged. Rather than observing an immutable set of traditions, court culture underwent frequent reinterpretation and rearticulation, pro...(展开全部)

This collection of essays reveals the Ming court as an arena of competition and negotiation, where a large cast of actors pursued individual and corporate ends, personal agency shaped protocol and style, and diverse people, goods, and tastes converged. Rather than observing an immutable set of traditions, court culture underwent frequent reinterpretation and rearticulation, pro...(展开全部)

Like most empires, the Ming court sponsored grand displays of dynastic strength and military prowess. Covering the first two centuries of the Ming dynasty (1368–1644), Martial Spectacles of the Ming Court explores how the royal hunt, polo matches, archery contests, equestrian demonstrations, and the imperial menagerie were represented in poetry, prose, and portraiture. This stu...(展开全部)

Like most empires, the Ming court sponsored grand displays of dynastic strength and military prowess. Covering the first two centuries of the Ming dynasty (1368–1644), Martial Spectacles of the Ming Court explores how the royal hunt, polo matches, archery contests, equestrian demonstrations, and the imperial menagerie were represented in poetry, prose, and portraiture. This stu...(展开全部)

In 1967 a body of Chinese texts was discovered in a tomb outside Shanghai. It contained a set of unique examples of an oral genre favoured by unlearned classes in the late imperial period (15th century), best called 'chantefables', appearing at the beginning of a profound historical shift which resulted in a broadening of the uses of writing and printing in China. These texts a...(展开全部)

Painters of the Great Ming is the most thorough western language book on the Ming painting academy and the Zhe School. For Northern Song court art, see Patricia Buckley Ebrey, Accumulating Culture: the Collections of Emperor Huizong (Seattle: University of Washington Press, 2008) N5285 .C52 S664 2008. For Southern Song, see Hui-shu Li’s Empresses, Art, and Agency in Song Dynast...(展开全部)

作者:(美)康达维 译者:苏瑞隆 美国人文与科学院院士，西雅图华盛顿大学教授，被海内外赋学界誉为“当代西方汉学之巨擎，辞赋研究之宗师”。他积三十余年的不懈努力，在中国古代辞赋的译介、研究以及学术交流和传播方面，都取得了突出的成绩。

作者:(美)康达维 译者:苏瑞隆 美国人文与科学院院士，西雅图华盛顿大学教授，被海内外赋学界誉为“当代西方汉学之巨擎，辞赋研究之宗师”。他积三十余年的不懈努力，在中国古代辞赋的译介、研究以及学术交流和传播方面，都取得了突出的成绩。

The Ming dynasty was the last great Chinese dynasty before the Manchu conquest in 1644. During that time, China, not Europe, was the center of the world: the European voyages of exploration were searching not just for new lands but also for new trade routes to the Far East. In this book, Timothy Brook eloquently narrates the changing landscape of life over the three centuries o...(展开全部)

The Ming dynasty was the last great Chinese dynasty before the Manchu conquest in 1644. During that time, China, not Europe, was the center of the world: the European voyages of exploration were searching not just for new lands but also for new trade routes to the Far East. In this book, Timothy Brook eloquently narrates the changing landscape of life over the three centuries o...(展开全部)